Mindy Yan Miller Two Cows and a Coke

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October 7 – 29, 2017

Opening Reception: Saturday, October 7, 2017, 2 – 5 PM



Mindy Yan Miller loves her animal hides by cutting, shaving and penetrating. Loop Gallery is pleased to present the artist’s latest work in an exhibition entitled Two Cows and a Coke. Yan Miller uses potent and irreconcilable materials that are precisely woven and arranged to produce beautiful works that speak to the politics of food production and the ethical relations we have with materials.

Sliced hides are propped open with stiff window blinds. Other larger skins hang flaccidly from the ceiling over pools of shiny Plexiglas. A mass of spent coke cans is arranged on the floor in a circle.

Known for her massive installations of potent materials, Yan Miller has been working with animal hides for the last five years. What started as an experiment in Op-on-skin has become a deeper and more enduring investigation into the value of things. – MGM 

Mindy Yan Miller has taught Fibres and Material Practices at Concordia University since she graduated with an MFA from the Nova Scotia College of Art & Design in 1990. She has been the recipient of numerous grants from the Canada Council for the Arts, Conseil des arts et des lettres du Québec and the Saskatchewan Arts Board. Her work has been exhibited in Europe, Korea and across Canada and the United States in venues including: Artforum (Berlin), 12-14 contemporary (Vienna), W139 (Amsterdam), Mercer Union, YYZ, (Toronto), Optica, La Centrale, (Montreal), The Southern Alberta Art Gallery (Lethbridge), Stride Gallery, Glenbow Museum (Calgary), Dunlop Art Gallery (Regina), Art in General (NYC) and Hallwalls (Buffalo).

Carolyn Dinsmore Rock Water Time

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September 9th – October 1st, 2017

Opening Reception: September 9th, 2 – 5 PM



Loop Gallery is pleased to present a new exhibition by Carolyn Dinsmore entitled Rock Water Time.


In Carolyn Dinsmore’s new body of work she draws inspiration from the rock and water of Georgian Bay, zooming in on patterns that are evidence of gradual build-up and erosion layered over infinite time and the always changing water pushing against and flowing alongside.

Her paintings are close-ups, small sections of rock – hard, smooth, rough surfaces resulting from years in formation, surfaces carved, scarred, polished, and lichened. The water details are caught in motion, sometimes gentle and soothing, to powerful and aggressive.

Patterns, mutations from the unfathomably distant past, still indiscernibly reacting to the elements of nature, contrast with those of constant motion, unpredictable, shifting from surging violent force through gentle rhythmic rippling to mirror stillness.

By isolating and highlighting details from the larger landscape the artist is offering to viewers personal and immediate clues, links to the incomprehensible vastness of the environment and the rhythm of time and change.

Carolyn Dinsmore studied art history at Queen’s and the University of Toronto and taught high school art before opening a shop that specialized in textiles mostly from India and  Africa. She returned to school to study at The Art Centre at Central Tech in Toronto. This is her third show at Loop.

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