Suzanne Nacha – minera-logic

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January 6 – 24, 2016
Reception: January 9, 2-5PM


Minera-logic is an exhibition of new paintings by Toronto artist, Suzanne Nacha. In an effort to depict our human relationship to the earth – our position upon it and our overwhelming lack of understanding beyond it – Nacha turns to the logic of mineral forms and material structures in creating this new body of work.

Equally absurd and solemn, the paintings reflect on our place in the world by setting up formal relationships between space and object, light and shadow, and in creating a narrative that unfolds as much through what is seen as what is not. Material piles appear to take on anthropomorphic form, occupying a landscape seemingly empty and timeless. But these are not the sort of narratives that offer any resolve. Their empty spaces and exaggerated shadows convey a sense of potential rather than assertion and time here is not linear but cyclic. The result is a narrative that doesn’t offer up answers, but rather a range of experience that spans silent contemplation at one end and a sense of unease at the other.

Suzanne Nacha is an artist working in painting, sculpture, installation, and video. Her work is imbued with a unique visual language enriched by her experiences mapping the far-reaches of Canada, creating geologic maps that span the earth’s continents and the study of structural geology. She has exhibited in Canada, the United States and Europe and is represented in public and private collections, including the Department of Foreign Affairs and International Trade, the National Bank of Canada, The Donovan Collection and the Robert McLaughlin Gallery.  Born in Hamilton Ontario, she holds degrees in both Fine Art and Geology. She has taught in the Fine Art departments of OCAD, Sheridan/UTM and York University, and for the past fifteen years has worked in the mining industry mapping geographies of fortune and need.

Image: under a billion suns, 2015, oil on panel, 19″x 24.5″

Mark Adair – Death’s Epilogue, The Glass House Window

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December 5 – 27, 2015
Opening Reception: December 5, 2015, 2-5pm
Q&A: December 5, 2015, 3pm

adair_10mb-flatbed NEW

Loop Gallery is pleased to announce a new exhibition by Mark Adair entitled Death’s Epilogue: The Glass House Window.

Adair has always simultaneously worked on parallel projects. The two featured in this show are the Death Drinks series (1999-2015) which Adair concludes with more small charcoal drawings and the new piece, The Glass House Window, which is a glass, steel and lead window featuring a version of the Tree of Knowledge. Death’s Epilogue is ironic and dark; The Glass House Window is a new departure for Adair — it is a meditation on the need for sincerity.

Adair graduated from York University with his BFA and went on to do his MFA at the University of Victoria in B.C. in the early 80’s. After returning to Toronto in 1983 he almost immediately became involved in Green politics, and the questions and anxieties that have arisen from the observation of the steady deterioration of our planet have formed the basis of his work for the last thirty years. ‘How did we get to this place?’ Why did we allow it to happen?’ ‘Why are we so reticent “to do something” before it is too late?’


Visit the artist’s website

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