Exhibitions

Marian Wihak Marking Time

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October 13 – November 4, 2018

Opening Reception: October 13, 2-5 PM

Collective City film screening: October 20, 3 PM

 Loop Gallery is proud to present Marking Time, an interdisciplinary exhibition of work by Marian Wihak. Marking Time continues the artist’s interest in creating situations that vacillate between the haptic and the evocative, driven by overarching notions of connectivity, duration, and the vicissitudes inherent within the evolutionary process. Wihak conjures metaphorical and suggestive narratives that reflect on the various ways time inscribes itself upon our world and also, how we, in turn, fit into the vast trajectory of existence. In her own words:

“The leaping off point for this new exhibition, Marking Time, is Archipelago — a large-scale oil painting I did on Fogo Island while attending a residency there in 2011. This will be Archipelago’s professional Toronto debut, and it is a singular and visceral work, which I painted directly onto the plywood wallboards supplied to us in the Fogo Island Long Studio. It stands as an homage and portrait of an island forged 420 million years ago by ice, fire and sea, the markings of which manifest at every turn, as geological scars and patterns, rock forms, tidal pools and time-worn textures, in expansive and minute scales equally.

“New graphite drawings created to respond to and complement Archipelago explore a range of demarcations, ravages and ruptures, all traces and evidence of our planet’s evolution. The graphite offers velvety weight and gravitas while at the same time as it lends transcendence through specific erasures, and metaphoric agency that exploits the marriage of material and theme. Three timeworn boulders resolutely mark the space between Archipelago and the graphite drawings, and offer haptic resting spots from which to take in the work.

“A video comprised of an assemblage of shifting images that I have gathered in the course of various travels, presents as a view into and across time, with the markings of geological evolution and process a relentless presence.

“My intention with Marking Time is that each of these individual works possesses their own agency, at the same time as the assembled installation invites an engaging spatial experience and offers an oblique yet compelling narrative.”

Yael Brotman The Wormwood Series

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October 13 – November 4, 2018

Opening Reception: October 13, 2-5 PM

Collective City film screening: October 20, 3 PM

 

The Wormwood Series, Yael Brotman’s latest exhibition at Loop Gallery, examines the push and pull of creation and destruction — and the curious forms of agency humans possess within that cycle. The artist explains her process as follows: 

“On a recent trip to Spain, I visited Gaudi’s famous cathedral in Barcelona. The columns of the interior are designed to look like giant plants with nodes and branches extending into graceful arches. The feeling that one experiences in the presence of this magnificence is that nature and spirituality are intimately bound. The other sense the viewer gets is how small humans are – we are like worms in a forest.

“The concept of the worm as metaphor for human presence in the world is one I have been playing with recently. The yin-yang capacity of worms for health or destruction is similar to the highs and lows of human action.

“In this series, I began by doing rubbings of the meandering lines of the worms’ progress. I used delicate Japanese paper so that the nuances of the surface would be visible. The Japanese paper was chine colleed onto a stronger substrate. I then drew with graphite and watercolour, incorporating imagery of architectural elements or garden designs. These works are quiet pieces that recall the awe felt in the presence of tall trees or brilliant human structures, or the beautiful evidence of a worm’s markmaking.” 

About the Artist

Yael Brotman has exhibited widely, with thirty solo exhibitions including in Winnipeg, MB and Dawson City, YK, and numerous group/two-person shows including in Spain, Kyoto, Houston, Berlin, Melbourne. Her work has been discussed in catalogues (Kelowna Art Gallery and Kyoto Municipal Museum of Art) and in reviews (Border Crossings, Galleries West and La Presse+).

Brotman has been awarded residencies worldwide, grants and honours – recently, induction into the Royal Canadian Academy of Arts. Her work is represented in public and corporate collections including Foreign Affairs (Canada), Skirball Museum (Los Angeles), Sanbao Museum (Jingdezhen, China) and the Proyecto’ace Collection (Buenos Aires, Argentina).

 

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