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September 2018

loop elsewhere FALL EDITION

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installation view of Pink Cities; Green Branches, Yael Brotman and Libby Hague, 2018.

 

Yael Brotman and Libby Hague

Yael and Libby exhibited a collaborative installation Pink Cities; Green Branches at the Centro Cultural Doctor Madrazo, in Santander, Spain as part of the Impact 10 Print Conference.

Adrienne Trent and Marian Wihak

Adrienne and Marian, along with Toronto artists Ellen Bleiwas, Emily DiCarlo and Gunilla Josephson, have created a site-responsive art installation, OUROBOROS, situated within the stunning interior of the Byzantine Revival gem, St. Anne’s Anglican Church, 270 Gladstone Ave, at Dundas.

September 22nd until Oct 14th, Friday – Sunday noon – 5pm
Opening Reception: September 27th, 6 – 9pm
Nuit Blanche: September 29th, 7pm – midnight with musical performances: Turkwaz at 7:30pm and Darbazi at 8:30  (free will donation)
Artist talk and tour: October 14th at 2pm

OUROBOROS:
Known as the oldest allegorical symbol in alchemy, the ouroboros represented the concept of eternity and endless return. The symbol of a snake eating its own tail in a closed circle has been found in varied contexts and geographies. The artists in the exhibition Ouroboros at St. Anne’s Anglican Church, pose an inquiry into the cyclical themes of connectedness and continuity within each artwork.
Toronto artists Ellen Bleiwas, Emily DiCarlo, Gunilla Josephson, Adrienne Trent and Marian Wihak share a network of overlapping relationships. The arc of time, space and history, and the connective impacts and resonances activated are shared drivers of their practices.  Each one shares a world view that includes the evanescent, the ephemeral and the past with the subsequent talismans, relics, and vestiges of these histories used as markers and reminders of a larger realm of connectedness.
Jennifer Rudder.

Tanya Cunnington Dream, comfort, memory

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September 15 – October 7, 2018

Opening Reception: Saturday, September 15, 2-5 PM

Loop Gallery is proud to present Dream, comfort, memory, an exhibition of new work by Tanya Cunnington. The paintings that make up Dream, comfort, memory reimagine the Canadian landscape through the haze of memory and nostalgia, creating a space that is at once personal and universally resonant. Tanya explains her process as follows:

In the last five years, there has been a huge shift in my art making process. A move from downtown Toronto to a more rural setting brought about an unexpected change of subject matter. Suddenly I found myself wanting to interpret an open field instead of a tightly knit grid.  My palette brightened. It has been a time of experimentation for me. Relying heavily on collage in the past, I ventured into oil paint and linen again for the first time in over a decade. After years of abstraction, I felt like I was just learning to hold a brush again. 

I have always created work in response to my current surroundings, but the underlying theme remains the passage of time, memory, and personal nostalgia. In this vein, my work often acts as a visual diary for personal and significant events in my life. Last summer, while on a camping trip North of Sudbury, I became overwhelmed by memories of my childhood. Born in Kirkland Lake but raised in Southern Ontario, we would return North to my grandparents’ cottage, vacationing there each summer. As a child, it was two glorious carefree weeks of swimming, roasting marshmallows and staying up late with my cousins. Now, as I start my own family, I find myself trying to recreate the idyllic simple days of my youth for my own son.  

The title for Dream, comfort, memory is borrowed from Neil Young’s Helpless, a song that always makes me think of my Dad and his formative years up North. Visually, I enjoyed finding various levels of abstraction and representation within the dramatic rock cliffs and sparsely treed terrain of the North. But very specifically, more than just paintings of landscape, Dream, comfort, memory embodies the importance of family, the preservation of tradition, and the fleeting nature of time.

 

J. Lynn Campbell Soliloquy

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September 15 – October 7, 2018

Opening Reception: Saturday September 15,  2-5 PM

 Loop Gallery is proud to present Soliloquy, an exhibition of new work by J. Lynn Campbell. 

As J. Lynn Campbell worked on the pieces in this exhibition, one word kept coming up: soliloquy. Exactly! For while the making of art may be a solo pursuit and reflection – it is no mere monologue. The soliloquy, as a dramatic device, allows the thoughts and motives of its speaker to be known to the audience. An exhibition – at its best – is similarly revelatory of the thoughts of the artist. For both the dramatist and the artist, an exploration of metaphor and material is the road toward meaning.

The most renowned of soliloquys is, of course, Hamlet’s. Its existential and political questions have rarely had more relevance than in our particular historic times. Campbell found that reflections on world events led to questions for which there are few obvious answers. And so, this work began in a context evocative of the tragically reflective Danish prince. Not knowing what she had to say, or how to say it.

Still, in the midst of uncertainty, action remains essential. While thought is never absent in making work or making sense of our world, Campbell found that her exploration of materials set thoughts on new trajectories and both thoughts and materials evolved as she worked.

The artist takes up her chosen forms and shapes, combines and juxtaposes them, to invoke meaning for herself and for us. As viewers, we reflect on these intersections in our own meaning-making. The works in this show address the fundamental fear and solace of the natural world – of which we are a part – and the oft-tragic beauty of our desire to make our place in it. 

— Joyce Mason

About the Artist

J. Lynn Campbell is a Toronto-based artist who trained at the Ontario College of Art (now OCADU), with independent studies in France, Humanities at the University of Toronto, and Philosophy at York University. Her practice extends from two-dimensional collage to three-dimensional construction and site-specific installation. She has exhibited in Canada, Italy and Germany. Her work is included in private, public, and corporate collections.

Gev Martoz: New Paintings

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September 5 – 9, 2018

Opening Reception: Thursday September 6,  6-10 PM

Loop Gallery is honored to announce New Paintings, a collection of recent work by Gev Marotz. His first show at Loop in over two years, New Paintings showcases the evolution of Marotz’s artistic practice, and continued exploration of the themes of memory and the shared nostalgia of common objects.

New Paintings is on display at Loop from September 5 to September 9, 2018. Please direct all media inquires to tim@loopgallery.ca, or call 416-516-2581

About the Artist

Gev Marotz is an Israeli-born artist who has lived in Germany and China. Educated in design, he began his career in the United States and continued to travel frequently. Now based in Toronto, Canada, Marotz maintains an active artistic practice. His paintings draw from a lifetime of travel and internal exploration. Influenced by his upbringing in a visually inclined family and his time exploring different cultures, many of his investigations circle back to imagery from his childhood. He then reworks and distorts these images as time and experience would a memory. 

Unrestricted, Marotz plays with the paint, line, colour, and composition of each of his works. His background in design becomes evident in the detailed patterns, while his passion for history and iconography play beneath the surface. Space, wonderment, and childlike things become sophisticated works of art through a carefully considered process of translation from memory to acrylic on archival wood. 

Marotz’s work is featured in numerous private collections across the globe including Germany, China, the United States, and Canada.